CONSOLE

1979 MCI JH-536, rebuilt in 2001 by Coral Sound and Purple Audio of Long Island City. 

All new metal work, chip sockets, removed VCA's, recap'd…

TAPE MACHINES

1973 3M M79 2" (24 TRACKS) for tracking

1981 STUDER A80 VU 1/2” (2 TRACK) for mixdown

MONITORS

ADAM S3A with 200W 12” matching subwoofer,

Genelec 1030’s,

Yamaha NS-10’s,

MICROPHONES

TUBE:

Soundelux E 47 and U 99

(2) Lomo 19A19 (M7 Capsule)

RIBBON:

(2) Coles 4038

Royer 121

(2) Beyerdynamic m160’s

Beyerdynamic M500

Beyerdynamic M260 modified with RCA 77 DX ribbon

(2) Electrovoice V-2 rebuilt with RCA 44 ribbons and transformers

CONDENSER:

Matched pair Earthworks TC30k

AKG 414 TLII condenser (C12 capsule, transformerless)

Audio Technica 4047 FET

(2) Oktava MK 219 condenser modified by Oktavamod

(2) Oktava MC 012 cardioid

(2) Audio Technica 4051’s small diaphragm

Shure VP-88 Stereo

DYNAMIC:

Electrovoice RE-20

Shure SM 7

Shure Beta 57

Beyerdynamic TGX-50

Sennheiser MD-441 & 421

AKG D112

Altec Saltshaker

Assorted Shure 57’s and 58

OUTBOARD

Manley ElOp Compressor, (2) Telefunken V 72 Pres, API 4312 Pres, API 5500 Stereo EQ, API 2500 Stereo Bus Compressor, Vintech X73i Pre, Universal Audio 6176 (Pre/Comp), Drawmer: 1961 Stereo Tube EQ & 1960 Stereo Pre/Comp, TLAudio Stereo Tube EQ and Pre, Peavey VMP-2 Tube Pre, Lexicon PCM-80, Symetrix 606 delay, (3) Spring Reverbs, Eventide H 910, Avalon U5 DI, Maestro Echoplex, HH Tape Delay, Roland Space Echo RE 101.

DIGITAL

MAC PRO dual 3 Ghz with 5 GIGs RAM, running LOGIC Pro 8.1, Apogee AD-16x and DA-16x, and Rosetta 800 for 24 channels of in/out at up to 192 khz.

STUDIO DIMENSIONS

Live room is 32’x25’ with 10’+ exposed wood beam ceiling; brick and wood walls

Control room is 18’x20’. ISO booth is 8’x14’, behind control room with sight lines to live room.

CUE SYSTEM

Hearback Monitor with 8 individual channels for artist to mix as they wish, 5 pods.